A Really Radical Correction

A few weeks ago I was in class with Stern Teacher. In my regular classes, we’re encouraged to do tiny pliés, and I’ve always pliéd within my comfort zone, paying attention to how my muscles are engaging rather than how deep my bend is.

However in this class, I was encouraged to really work a deeper plié. My teacher watched me for a while in first – telling me to relax as usual! – and then I went into second. Then she did something really hands-on and intense!

She held my knees from the back, pulling them over my feet, and pushed her head into my pelvis. It felt INCREDIBLE.

(I felt like I’d had a baby for about a week afterwards, and my walls at home are all scuffed where I’ve plied in second down them to stretch out.)

Although I’m not encouraged to go deeper in my usual class, this really radical correction made me focus on my plié, which after all is such an essential building block of dancing.  Having such a radically different physical sensation demonstrated to me like this actually cut through  lot of the mental querying and testing I’d been doing around my plié too.

I’ve been missing getting corrected lately, as Fab Teacher hasn’t been giving me many in the last few weeks. Of course my mind is whirring as to whyyy! rather than assuming I’m not in need of any. I’m hoping to mix up a few different classes in the coming weeks because I’m greedy for more more MORE!

Is there a YES moment for you like this, a new correction or different way of phrasing one (or physically manhandling you!) that made you think differently?



I don’t know what relaxed feels like

The first time I ever went to ballet class, I didn’t know how to plié. Two years later, my plié is still evolving, but back then in that first class I just bent my knees and hoped…

My teacher is fabulous. (I’d love to go all out on a full description, but I’m worried about preserving anonymity on the internet; he’d be instantly recognisable. I’m just going to call him Fabulous Teacher.) Seeing I was terrified at his approach in front of the whole class, he tells me, “Smile! This is beaming out on SkyArts 1 later!” – hilarious. Instant rapport. He asked me to plié, and then grabbed  my torso firmly and asked me to go over it a few times more. This was when posture really clicked for me for the first time in my life. I’m staggered at the degree to which my arse used to stick out! All the time! Yoga classes hadn’t even made me realise. So: Revelation One. But my plié still wasn’t starting to take shape. Still grabbing and prodding me he told me to relax. The very first class I had taken, and this correction is one I’m still hearing and struggling with now. As Fab Teacher said to me at the end of my Sky Arts 1 performance: “You’re just a big tense mess!”. Yes, pleased to meet you, and you are?

Fast forward to the other week and I’m doing a ballet-specific Pilates workshop. I keep getting gently told to relax. There’s only so much you can do when someone says that really, isn’t there? It’s almost like being told to cheer up: how? Seeing I was struggling, the teacher came and guided me through some of the movements. “You really do need to relax”, she said. “Your muscles are constantly working full-out, you must be exhausted.”

Well, yes I am. I have certain medical stuff going on which makes me think that a lot of this is significant in a “mind/body continuum” sense. I don’t mean that I’m just feeling a bit wound-up – although of course we all do sometimes, too – but that my body at a functional and organic level is holding on to a lot of tension.

Still, what to do about it? The pilates teacher suggested some visualisations – just the bones of your body are moving, your muscles aren’t involved. Think of your movement, say a tendu, like an elastic band constantly stretching and retracting, never coming to the end of its fluid movement. She demonstrated this in contrast to an old-fashioned ballerina way of executing a staccato, disconnected kind of abrupt tendu.

I have taken this on board, and I am also paying a lot more attention to breathing and mental relaxation in class. It’s incredible how much worrying about the next step or concentrating on what someone else is doing finds expression in my body. Recently I’ve been receiving, gratefully, these relaxation corrections in every class – relax my hip is a huge one. I’ve had even my jawbone and clavicle held, physically, for relaxation during a combination.

Fab Teacher slapped my hip playfully the other day because it was still not doing it was it was told. The next class he just grabbed my leg, which I was holding under the thigh as close to my torso as I could (leg bent, everyone, leg bent!!) and pushed it in and up. I love these physical corrections because it’s as if, finally, someone is overriding my body and just telling it how it should be feeling in a position. I think as far as my hips go, “relaxed” actually feels like like an engaged, active pushing down of the working hip –  which lengthens the hip flexors. It’s taken me several weeks to piece this together. A bit like the time I realised my teacher meant physically, anatomically where my stomach is and not what I think of as my belly when he was telling me to pull my stomach up. What he means by “relaxed” didn’t match up to what I thought “relaxed” felt like.

That’s as far as my hips are concerned. I still don’t know what relaxed feels like, and it’s a quest I keep writing up in my dance journal. Other approaches I’ve thought of are taking more pilates, and getting some deep tissue massage. Even trying acupuncture or hypnosis. Of course these all cost money, and I don’t want this type of secondary conditioning activity to get in the way, financially, of my being able to attend ballet class. Still, building stretches and pilates into my daily routine is definitely a possibility. (Although boring. Boredom is why I don’t exercise AT ALL outside of class.)

Sometimes it feels like a frustration, as if my body is working against me as I’m doing something I enjoy so much. I try to hold on to the fact that, really, ballet is relaxing. Ballet is mindful. I can let it help me learn how to relax.



I just don’t get assemblés


My brain gets it – brush jump, brush jump.

But my body just doesn’t understand!

Normally I can get by on mimetic action before I’ve really got my technique down and get a feel for a step.

But it’s like my body is just slack-jawed and uncomprehending.

I’m going to Youtube chain a whole load of vids to see if this will help something to click.

*Edited after having a search*

I think the two vids below are possibly the most helpful I can find, because they are nice and slow, and show the whole step from start to finish a number of times. I can’t stand those HowCast-esque things that take two minutes to introduce whoever it is and then just show you a step in bits. Rubbish!

Reviewing the above, I think I am getting the basic movement of the step, however it just doesn’t feel right and when I watch myself in the mirror it looks ungainly. I think I have been unsure of how far to brush out the working leg, and I can just bet I haven’t been keeping my spine and trunk as straight and immobile as in the vids! Also I have been unsure of when precisely to jump with the standing leg. Funnily enough I think part of this is the name of the step putting me off – I haven’t been able to connect what I’m doing with “assembling” the feet together.

I’ve only just really gained confidence in the petit allegro – it really has taken me this long to jump without waving my torso around or leaning or whatever. In the last few weeks somehow its clicked and I’m having loads of fun being springy. It great to see your feet really point and extend whilst you’re in the air isn’t it?

Oh and Re. Glissade as in the video above – THAT took me far too long to get my head around. First of all I thought it was called a glissande (sounds like a shampoo) and I thought it was a change of weight from one foot to the other. And I had no idea the plié was the main thing going on in there. Stern Teacher goes Where’s your plié? I’m like it thought it could sit this one out?? Not realising this was the part of the Little Jumps section.

So that has been my YouTube research presentation. My findings indicate a number of points that are causing my body to go “Assem-blehh??!”. Thank you.